Other Cinema: SISTERS' PICTURES

We've assembled a godsmackin' troika of the most superhumanly gifted women makers of our time, a truly fortuitous curatorial coup that coincides with Sachs' visit to the Bay Area. She is showing a ½ hr. cut from her her new feature project, Every Contact Leaves a Trace, and fielding questions about her intentions and trajectories with this current long-form. AND: Old ATA comrade (relocated to Berlin) Sylvia Schedelbauer finally peeps back up with her 24-min. multi-layered portrait of her mother, also settled in Berlin (from Japan), an astounding feat of family-archive excavation (mostly from S8 color!) that is ever-so-meticulously ordered into a profoundly resonant, and revelatory montage. The third component of this collective debut comes from Kamila Kuc, the formerly London-based cine-artiste who has now moved to the Coast, Her Plot of Blue Sky.This jaw-dropping, never-before-seen penetration of Moroccan women's society and sub-culture (Amazigh)--in fact enabling the women to use cameras(!)--gives voice to a huge marginalized population who are accustomed to being shuttled from forced marriage to prostitution to institutionalized old age dead-ends, by an oppressively patriarchal Arab state. $14