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|Ngũgĩ wa Thiong'o|
|Date||Monday September 26|
|Time||7:00 PM - 8:00 PM|
|Import this event into your personal calendar.|
City Lights Bookstore,
261 Columbus Ave
San Francisco, CA
|Organizer/Author||City Lights Bookstore|
reading from and discussing his new book
Birth of a Dream Weaver: A Writer's Awakening
from The New Press
Birth of a Dream Weaver charts the very beginnings of a writer's creative output. In this wonderful memoir, Kenyan writer Ngũgĩ wa Thiong'o recounts the four years he spent at Makerere University in Kampala, Uganda—threshold years during which he found his voice as a journalist, short story writer, playwright, and novelist just as colonial empires were crumbling and new nations were being born—under the shadow of the rivalries, intrigues, and assassinations of the Cold War.
Haunted by the memories of the carnage and mass incarceration carried out by the British colonial-settler state in his native Kenya but inspired by the titanic struggle against it, Ngũgĩ, then known as James Ngugi, begins to weave stories from the fibers of memory, history, and a shockingly vibrant and turbulent present.
What unfolds in this moving and thought-provoking memoir is simultaneously the birth of one of the most important living writers—lauded for his "epic imagination" (Los Angeles Times)—the death of one of the most violent episodes in global history, and the emergence of new histories and nations with uncertain futures.
One of the leading African writers and scholars at work today, Ngũgĩ wa Thiong’o was born in Limuru, Kenya, in 1938. He is the author of A Grain of Wheat; Weep Not, Child; Petals of Blood; and Birth of a Dream Weaver (The New Press). He is currently distinguished professor in the School of Humanities and the director of the International Center for Writing and Translation at the University of California, Irvine. He has been nominated for the Man Booker International Prize.
Critical praise for Ngũgĩ wa Thiong’o:
"In his crowded career and his eventful life, Ngũgĩ has enacted, for all to see, the paradigmatic trials and quandaries of a contemporary African writer, caught in sometimes implacable political, social, racial, and linguistic currents." —John Updike, The New Yorker