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|Bread And Roses Commemoration Art Show In SF Begins With Reception At ILWU Local 34|
|Date||Sunday January 08|
|Time||12:00 PM - 3:00 PM|
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801 2nd St/Embarcadero next to AT&T Stadium
1/8 Bread And Roses Commemoration Art Show In SF Begins With Reception At ILWU Local 34
100th Year Commemoration of the Bread and Roses Strike
January 12, 2012 marks the 100th anniversary of the Bread and Roses garment mill workers strike in Lawrence, MA. And just as today’s Occupy Wall Street movement focuses on the 99% and 1%, the truth of 1912 was that 1% of the richest Americans owned 50% of the country’s wealth. Conducting a difficult eight-week struggle during the dead of winter against “Textile Trust” mill owners, banks, state militia, police, clergy and local government, this strike involved thousands of immigrants, nearly half women, fighting for justice and human rights, a watershed moment in the history of American labor struggles. LaborFest commemorates this event with a cultural and arts event at ILWU Local 34 at 801 2nd Street, San Francisco, next to AT&T stadium.
Painting, photography, drawing and graphic art will be on display from Sunday, January 8th through Wednesday, January 11th, 2012. A reception will be held for the nine artists participating in this exhibition on Sunday from noon to 3 PM. Free parking is available in the ILWU parking lot adjacent to the corner of 2nd and King Streets. Viewing hours will be from noon to 5 PM, Sunday through Tuesday, and noon to evening closing, Wednesday.
A potluck will be held on Wednesday, beginning at 6:30 PM with a presentation on the Bread and Roses Strike at 7:15 PM. Bring a dish and your voice. All are welcome. A $10.00 donation will go to Occupy San Francisco and ILWU Local 21 EGT Fighting Fund, Longview, WA. No one will be turned away due to lack of funds. Artists and poets include David Rovics, Renee Gibbons, Alice Rogoff, The Rocking Solidarity Chorus, Hali Hammer, Mary Rudge and others. LaborFest organizes events on labor and culture for the month of July every year, 2012 markng the nineteenth year of July events sponsored by the organization. Events for January 2012 will be posted at laborfest.net.
Jesus Barraza and Melanie Cervantes are graphic arts collaborators in their project Dignidad Rebelde. The poster products from this teamwork reflect community struggles, visions of hope and assertions of dignity. Their subject matter embraces a wide humanity, recognizing that “the history of the majority of people worldwide is a history of colonialism, genocide, and exploitation.” Barraza, an activist printmaker based in San Leandro, CA, is co-founder of ten12, a collective of ditigal artists, and Taller Tupac Amaru, a studio devoted to screen printing. Barraza has taught and exhibited widely, including Chicago, El Paso, New York, San Francisco, Santa Fe, Tokyo, Bolivia and Mexico. Cervantes, who holds a BA in Ethnic Studies from the University of California, Berkeley, is an Xicana activist-artist who serves justice movements with her artistic vision. She has exhibited in Austin, Chicago, Los Angeles, and San Francisco, and her art has reached audiences worldwide.
The muralist Mike Conner is a former member of IBEW as an electrician and is now a member of IATSE Local 1 at the Metropolitan Opera in New York City. His art has been focused on labor themes for decades, where it has been displayed at labor festivals and art exhibitions, including a continuing series called Boss Greed. He is a continuing contributor to LaborFest, participating in the commemoration of the 1934 San Francisco general strike in 2009 and the 100th Year Commemoration of the Triangle Shirtwaist Factory Fire this year.
Jan Cook has always made art in the context of social issues. Her early work developed first during the rising awareness of women's issues in the 1970s and gradually broadened to include labor, race and class perspectives. Cook studied at the University of Illinois and California State University, Los Angeles, obtaining irrelevant BFA and MFA degrees. After a few years of experimentation as an illustrator in the movie industry, Cook became involved with the Los Angeles Mural Movement, working with Judy Baca and others. Moving to San Francisco, the artist continued painting murals and making prints. Recently Cook has been combining printmaking with digital painting, altering hand-drawn images with found pictures of historical and contemporary news events from the Internet.
David Duckworth employs drawing to comment on the social conditions of cities and political states. He has exhibited at Bluedahlias and Underglass in San Francisco, Works/San José, and with Collaborative Concepts at Saunders Farm, Garrison, NY. As a performance artist, Duckworth has organized and presented Detainee at Roger Smith Hotel, New York, and collaborative work at Jonathan Schorr Gallery, New York. As a curator, he has organized Body Commodities / Queer Packaging and American Seven at Works/San José, Detainee Wear at Bluedahlias, and several exhibitions for LaborFest.
Gloria Frym’s family connects the artist to the textile industry for over three generations. Her immigrant father, grandparents and other relatives all worked in the Manhattan textile industry. Her maternal grandparents are buried in Workman’s Circle in a Long Island cemetery. An associate professor in the MFA and BA Writing and Literature Programs at California College of the Arts, Frym has been photographing handmade protest signage for the last ten years. Primarily a writer, Frym is the author of two short story collections, Distance No Object (City Lights Books) and How I Learned (Coffee House Press), as well as several volumes of poetry, including Mind Over Matter (BlazeVOX), Any Time Soon (Little Red Leaves), and The Lost Sappho Poems (Effing Press). She also has a book of interviews with women artists and published numerous essays, articles and reviews.
A San Francisco-based painter, Amelia Lewis has exhibited in Dallas, Los Angeles and San Francisco since 2001 and curated exhibitions since 2004. All images are from the Do I Look Illegal series, which first opened at the former Timezone Gallery, San Francisco.
Graphic artist Doug Minkler has designed posters for several decades that address social inequalities and oppression, war, and corporate profiteering and plutocracy. The artist was recently honored by the Center for the Study of Political Graphics in Los Angeles. Minkler is a past contributor to LaborFest, most recently exhibited at SOMArts Cultural Center and Expressions Gallery, Berkeley.
In artist Rachel Schreiber’s specific work for this exhibition, the portraits of early twentieth-century textile workers’ immigrant women leaders and contemporary labor activists of Mexico bridge the time span between then and now, American labor activism of the past and global labor activism of the present. Presently Associate Professor and Director of Humanities at The California College of the Arts, Oakland and SF, Schreiber has exhibited at the Contemporary Jewish Museum, San Francisco, Maryland Institute College of Art, Baltimore, SOMArts Cultural Center, San Francisco, and Art in General, New York. The artist is also active as a instructor, lecturer and cultural historian.
Bread and Roses: The 1912 Lawrence textile Strike And The IWW
By Joyce Kornbluh
Early in January 1912 I.W.W. activities focused on a dramatic ten-week strike of 25,000 textile workers in Lawrence, Massachusetts. It became the most widely publicized I.W.W. conflict, acquainting the nation with the plight of the unskilled, foreign-born worker as well as with the organization's philosophy of radical unionism. "Lawrence was not an ordinary strike," wrote Brissenden in 1919, "It was a social revolution in parvo."
Lawrence in 1912 was a great textile center, outranking all others in the production of woolen and worsted goods. Its principal mills were those of the American Woolen Company, a consolidation of thirty-four factories in New England whose yearly output was valued at $45,000,000. The woolen and cotton mills employed over 40,000 persons, about half of Lawrence's population over age fourteen. Most of them were unskilled workers of many nationalities, who had come from Europe after 1900, attracted by the promises of labor Contractors representing the expanding textile industry in Massachusetts.
But despite a heavy, government tariff protection of the woolen industry, the wages and living standards of textile operatives had declined steadily since 1905. The introduction of the two-loom system in the woolen mills and a corresponding speed-up in the cotton industry had resulted in lay-offs, unemployment, and a drop in wages. A report of the U. S. Commissioner of Labor, Charles P. Neil, showed that for the week ending November 25, 1911, 22,000 textile employees, including foremen, supervisors, and office workers, averaged about $8.76 for a full week's work.
In addition, the cost of living was higher in Lawrence than elsewhere in New England. Rents, paid on a weekly basis, ranged from $1.00 to $6.00 a week for small tenement apartments in frame buildings which the Neil Report found "extra hazardous" in construction and potential firetraps. Congestion was worse in Lawrence than in any other city in New England; mill families in 58 percent of the homes visited by federal investigators found it necessary to take in boarders to raise enough money for rent.
Bread, molasses, and beans were the staple diet of most mill workers. "When we eat meat it seems like a holiday, especially for the children," testified one weaver before the March 1912 congressional investigation of the Lawrence strike.
Of the 22,000 textile workers investigated by Labor Commissioner Neil, well over half were women and children who found it financially imperative to work in the mills. Half of all the workers in the four Lawrence mills of the American Woolen Company were girls between ages fourteen and eighteen. Dr. Elizabeth Shapleigh, a Lawrence physician, wrote: "A considerable number of the boys and girls die within the first two or three years after beginning work . . . thirty-six out of every 100 of all the men and women who work in the mill die before or by the time they are twenty-five years of age. Because of malnutrition, work strain, and occupational diseases, the average mill worker's life in Lawrence was over twenty-two years shorter than that of the manufacturer, stated Dr. Shapleigh.
Responding in a small way to public pressure over the working conditions of textile employees, the Massachusetts state legislature passed a law, effective January 1, 1912, which reduced the weekly hours from fifty-six to fifty-four for working women and children. Workers feared that this would mean a corresponding wage cut, and their suspicions were sharpened when the mill corporations speeded up the machines and posted notices that, following January 1, the fifty-four-hour work week would be maximum for both men and women operatives.
The I.W.W. had been organizing among the foreign born in Lawrence since 1907 and claimed over a thousand members, but it had only about 300 paid up members on its rolls. About 2500 English-speaking skilled workers were organized by craft into three local unions of the A.F.L.'s United Textile Workers, but only about 208 of these were in good standing in 1912. The small, English-speaking branch of the I.W.W. sent a letter to President Wood of the American Woolen Company asking how wages would be affected under the new law. There was no reply. Resenment grew as the textile workers realized that a reduction of two-hours pay from their marginal incomes would mean, as I.W.W. publicity pointed out, three loaves of bread less each week from their meager diet.
Polish women weavers in the Everett Cotton Mills were the first to notice a shortage of thirty two cents in their pay envelopes on January 11. They stopped their looms and left the mill, shouting "short pay, short pay!" Other such outbursts took place throughout Lawrence. The next morning workers at the Washington and Wood mills joined the walkout. For the first time in the city's history, the bells of the Lawrence city ball rang the general riot alarm.
That afternoon a mass meeting was held at the Franco-Belgian Hall, and a telegram was sent to Joseph Ettor, an I.W.W. Executive Board member, asking that be come from New York to assist the strike. Twenty-seven-year-old Ettor had visited Lawrence in the past to preach I.W.W. unionism. He was well known in the Italian community as a veteran I.W.W. organizer who had worked in the shipyards of San Francisco, traveled through West Coast mining and lumber camps, and led the foreign-born workers of the Pressed Steel Car Company in the 1909 McKees Rocks, Pennsylvania, strike. Practical, pragmatic, and quick in decision making Ettor could speak English, Italian, and Polish fluently and could understand Hungarian and Yiddish.
Under his aggressive leadership, a strike committee was immediately formed of two representatives from each of the nationalities represented among the mill workers. They were to meet each morning and take complete charge of the strike. The workers' demands called for a 15 percent increase in wages on a fifty-four-hour work week, double time for overtime work, and no discrimination against any workers for their strike participation. In response to the circulation of strike leaflets throughout the town, Lawrence Mayor Scanlon ordered a company of local militia to spend the night at the armory and patrol the streets around the mills.
Mass picketing and arrests started the first week of the strike. It was the first time there had ever been mass picketing in any New England town. When crowds of workers demonstrated in front of the Atlantic and Pacific mills, they were drenched by water from fire hoses on adjoining roofs. The strikers retaliated by throwing chunks of ice. Thirty-six were arrested and most of them sentenced to a year in prison. As the judge stated, "The Only way we can teach them is to deal out the severest sentences." The governor ordered out the state militia and state police. One officer remarked to a writer for Outlook Magazine: "Our company of militia went down to Lawrence during the first days of the strike. Most of them had to leave Harvard to do it; but they rather enjoyed going down there to have a fling at those people." Harry Emerson Fosdick quoted a Boston lawyer: "The strike should have been stopped in the first twenty-four hours. The militia should have been instructed to shoot. That is the way Napoleon did it."
A few days after the strike began, Arturo Giovannitti, an Italian poet and orator, came to Lawrence from New York City to take charge of strike relief. He came in the interest of Il Proletario, the newspaper which he edited for the Italian Socialist Federation. Relief committees, a network of soup kitchens, and food distribution stations were set up by each nationality group. The Franco-Belgian station alone took care of 1200 families weekly. Volunteer doctors gave medical care. Families received from $2.00 to $5.00 each week from the funds raised throughout the country in response to the strike committee's appeal. "The problem of relief was so efficiently handled," wrote labor historian Samuel Yellin, "that during the ten week strike there was no wavering whatsoever in the strikers' ranks."
Lawrence was a new kind of strike, the first time such large numbers of unskilled, unorganized foreign-born workers had followed the radical leadership of the I.W.W. John Golden, president of the A.F.L. United Textile Workers denounced it as "revolutionary" and "anarchistic" and attempted unsuccessfully to wrest the leadership of the strike away from the I.W.W. A.F.L. President Samuel Gompers defined the strike as a "class conscious industrial revolution ... a passing event that is not intended to be an organization for the protection of the immediate rights or promotion of the near future interests of the workers." However, Gompers defended the lawful rights of the I.W.W. members to, "express themselves as their conscience dictates."
"It was the spirit of the workers that was dangerous," wrote labor reporter Mary Heaton Vorse. "They are always marching and singing. The tired, gray crowds ebbing and flowing perpetually into the mills had waked and opened their months to sing." And in the American Magazine, Ray Stannard Baker reported:
It is not short of amazing, the power of a great idea to weld men together. . . . There was in it a peculiar, intense, vital spirit, a religious spirit if you will, that I have never felt before in any strike. . . . At first everyone predicted that it would be impossible to bold these divergent people together, but aside from the skilled men, some of whom belonged to craft unions comparatively few went back to the mills. And as a whole, the strike was conducted with little violence.
Less than a week after the strike started, the police found dynamite in three different places in Lawrence: in a tenement house, in an empty lot, and in a shoemaker's shop next door to the print shop where Ettor received his mail. The press and the police were quick to assign guilt to the strikers. An editorial in the New York Times declared: "The strikers display a fiendish lack of humanity which ought to place them beyond the comfort of religion until they have repented." The I.W.W. claimed, however, that the BostonAmerican, a Hearst paper, was off the press and on sale in Lawrence with the details of the dynamite discovery before the sticks of dynamite were actually found. Soon after, John Breen, a local undertaker and a member of the Lawrence school board, was arrested and charged with planting the explosives in a plot to discredit the workers. He was fined $500 and released on bail. President Wood of the American Woolen Company was implicated, but cleared by the court although he could not explain why he bad recently made a cash payment to Breen.
One of the largest demonstrations of the strike took place on January 29 when Ettor addressed a mass meeting on the Lawrence Common, urged the strikers to be peaceful and orderly, and led them on a march through the business district. At one of the mills, a company of militiamen refused to let them pass. Ettor averted a conflict by waving the paraders up a side street. They followed, and cheered him for his good sense.
That evening, independent of the earlier demonstration, Anna LoPizzo, a woman striker, was killed when police tried to break up a picket line. The strikers said she was shot by a Lawrence police officer. Nevertheless, Ettor and Giovannitti, who were three miles away talking to a meeting of German workers, were arrested as "accessories to the murder" and charged with inciting and provoking the violence. They were refused bail and imprisoned for eight months without trial. In April, Joseph Caruso, an Italian striker, was arrested and jailed in an attempt by Lawrence police to find the man who had fire the fatal shot.
Martial law was enforced following the arrest of the two I.W.W. strike leaders. City officials declared all public meetings illegal, and Lawrence authorities called out twenty-two more militia companies to patrol the streets. A militiaman's bayonet killed a fifteen-year old Syrian boy in another clash between strikers and police.
The arrest of Ettor and Ciovannitti was aimed at disrupting the strike. However, the I.W.W. sent Bill Haywood to Lawrence, and with him came I.W.W. organizers William Trautmann, Elizabeth Gurley Flynn, and, later, Carlo Tresca, an Italian anarchist. More than 15,000 strikers met Haywood at the railroad station and carried him down Essex Street to the Lawrence Common, where he addressed a group of 25,000 strikers. Group by group, they sang the "Internationale" for him in their various tongues. Looking down from the speaker's stand and seeing the young strikers in the crowd, Haywood roared in his foghorn voice: "Those kids should be in school instead of slaving in the mills."
Throughout the strike, Haywood urged strikers to maintain an attitude of passive resistance. But this took many forms. One innovation in strike technique was an endless chain picket line of thousands of strikers who marched through the mill districts wearing white arm bands which read, "Don't be a scab." Large groups locked arms on the sidewalks and passed along the business streets. When this tactic was disrupted by the police, huge crowds of mill workers would move in and out of stores, not buying anything. As the acting head of the police later testified in Washington, "They had our shopkeepers in a state of terror; it was a question whether or not they would shut up their shops."
By far the most dramatic episode of the strike involved sending the strikers' children to sympathetic families in other cities, a measure of strike relief which bad been used in Europe by French and Italian workers. About 120 children left Lawrence on February 10 and were met at the station in New York City by 5000 members of the Italian Socialist Federation and the Socialist Party singing the "Internationale" and "The Marsaillaise." The youngsters were placed in homes which had been selected by a women's committee of New York sympathizers. Margaret Sanger, later famous for her work in birth control, was one of the nurses who accompanied the children on the train to New York City. She testified before a congressional committee in March: "Out of the 119 children, only four had underwear on ... their outerwear was almost in rags . . . their coats were simply torn to shreds ... and it was the bitterest weather we have had this winter."
A few weeks later, ninety-two more children arrived in New York City and, before going to their temporary foster homes, paraded with banners down Fifth Avenue. Alarmed at the publicity this exodus was receiving, the Lawrence authorities ordered that no more children could leave the city. On February 24 when a group of 150 more children made ready to leave for Philadelphia, fifty policemen and two militia companies surrounded the Lawrence railroad station. They tore children away from their parents, threw women and children into a waiting patrol wagon, and detained thirty of them in jail. A member of the Philadelphia Women's Committee testified under oath:
When the time came to depart, the children, arranged in a long line, two by two in an orderly procession with the parents near at hand, were about to make their way to the train when the police . . . closed in on us with their clubs, beating right and left with no thought of the children who then were in desperate danger of being trampled to death. The mothers and the children were thus hurled in a mass and bodily dragged to a military truck and even then clubbed, irrespective of the cries of the panic-stricken mothers and children. We can scarcely find words with which to describe this display of brutality.
This clash between the children and the police was the turning point of the Lawrence strike. Protests from every part of the country reached Congress as newspaper and magazine articles focused national attention on the conflict. Congressman Victor Berger, a Socialist front Milwaukee, and Congressman William Wilson from Pennsylvania, who became the first secretary of labor, called for a congressional investigation of the Lawrence situation.
In early March, the House Committee on Rules heard testimony from a group of Lawrence strikers including some teenagers under sixteen years of age. "As soon as I came home I had to go to sleep, I was so tired," the congressmen were told by a fifteen-year-old girl. The young workers testified that the textile companies held back a week of their wages, that they were often required to do unpaid clean-up work on Saturdays, and that in order to get decent drinking water in the mills some of them had to pay five or ten cents a week. So great was national indignation, the President's wife attended the hearings, and President Taft later ordered an investigation of industrial conditions throughout the nation.
Concerned over the public reaction to the hearings, and the possible threat to their own tariff protection, the American Woolen Company acceded to all the strikers' demands on March 12, 1912. By the end of March, the rest of the Lawrence textile companies fell in line. Wages were raised for textile workers throughout all of New England. And on March 30 the children who had been living in foster homes in New York City were brought home.
Meanwhile, in the Lawrence prison, Ettor and Giovannitti had turned their jail cells into studies. They read through the warden's library and then the books-Taine, Carlyle, Shelley, Byron, Kantsent in by sympathizers. Ettor, interested in organization methods, requested Burke. Giovannitti had what he called his "afternoon matinees," reading an annotated edition of Shakespeare which had been sent to him by a Harvard student.
As the months dragged on without a trial, the case of Giovannitti and Ettor became a cause celebre. "Open the jail gates or we will close the mill gates," threatened Haywood. Protest parades, demonstrations, and mass meetings in major cities throughout the country helped raise $60,000 needed for legal defense. In New York's Union Square, 25,000 persons gathered to hear Haywood appeal for funds, then march up Fifth avenue led by Elizabeth Gurley Flynn. In Boston a great demonstration covered the Common. Massachusetts authorities indicted all the members of the Ettor-Giovannitti Defense Committee, then released them on bail.
Agitation mounted. A general strike was advocated by the IWW. In August, a new development in the dynamite plot made headlines. Ernest Pitman, a Lawrence contractor who had built the Wood mill of the American Woolen Company, confessed to a district attorney that the dynamite frame-up had been planned in the Boston offices of Lawrence textile corporations. Pitman committed suicide shortly after he was served papers ordering him to appear and testify before a grand jury. William Wood, who was implicated, was immediately exonerated in court.
Pitinan's confession created a surge of sentiment in favor of the liberation of Ettor, Giovannitti, and Caruso. Publicity contrasted the case of the three men who had been detained for months in prison, with the case of Breen, the dynamite planter, who bad been released without jail sentence on a $500 fine. Fifteen thousand Lawrence workers walked out again on September 30 for a twenty-four-hour demonstration strike. Textile workers in neighboring cities threatened similar strikes in support of the I.W.W. leaders. Police, detectives, and the state militia were again called out. Mayor Scanlon started a "God and Country' campaign to drive the I.W.W. out of Lawrence. A parade was organized down the Lawrence main street under a banner which read:
For God and Country! The stars and stripes forever! The red flag never!
Lawrence citizens were encouraged by the town leaders to wear little American flags in their button holes as proof of their patriotic opposition to the I.W.W.
The trial of Ettor, Giovannitti, and Caruso began in Salem, Massachusetts, at the end of September; it lasted for two months. The defendants were kept in metal cages in the courtroom while the trial was in session. Crowds of workers waited each day outside the courthouse to cheer them as they entered and left the building. In Sweden and France workers proposed a boycott of American woolen goods along with a strike against all ships bound for American ports. Numerous telegrams were sent from Italy, where Giovannitti's family lobbied actively in his behalf. Italian sympathizers demonstrated in front of the American consulate in Rome, and three Italian districts nominated Giovannitti for the Italian Chamber of Deputies. Delegations visited President Taft at his summer home in Beverly, Massachusetts, to plead for the prisoners' release.
The prosecution accused Ettor and Giovannitti of inciting the strikers to violence and murder, although witnesses proved that they were speaking to a meeting of workers several miles from the place where Anna LoPizzo was shot. Two hired detectives from a strike-breaking agency testified that Giovannitti had urged strikers to sleep in the daytime and prowl around like wild beasts at night." But the detectives admitted that the speech to which they referred was in Italian and that they had no written notes of the meeting from which to quote. Witnesses testified that Joseph Caruso was home eating supper at the time the woman striker was killed. Caruso said that he was not an I.W.W. member and had never heard Ettor or Giovannitti speak before he was imprisoned. He also said he planned to become a Wobbly as soon as be was released from jail.
Before the end of the trial, Ettor and Giovannitti asked permission to make closing statements. Joe Ettor said in part:
Does the District Attorney believe . . . that the gallows or guillotine ever settled an idea? If an idea can live, it lives because history adjudges it right. I ask only for justice. . . . The scaffold has never yet and never will destroy an idea or a movement. . . . An idea consisting of a social crime in one age becomes the very religion of humanity in the next.... Whatever my social views are, they are what they are. They cannot be tried in this courtroom.
Giovannitti's speech, the first he had ever made publicly in English, moved even the reporters who were covering the trial. On November 26, 1912, the men were acquitted and released from jail.
Public opinion as expressed by the Eastern daily newspapers was practically unanimous in support of the acquittal of Ettor and Giovannitti. But the threat of anarchy and class war raised the fear that "a win in the Lawrence mills means a start that will only end with the downfall of the wage system." An editorial in the liberal Survey magazine questioned:
"Are we to expect that instead of playing the game respectably ... the laborers are to listen to subtle anarchistic philosophy which challenges the fundamental idea of law and order?"
Other publications around the country expressed alarm at the strange doctrines of "direct action," syndicalism," "the general strike"-slogans of a new kind of revolution.
In the IWW local in Lawrence, membership swelled to 10,000 in the year following the strike but dropped to 400 by 1914 as the depression of the preceding year cut into employment in the textile industry. In addition, textile employers initiated an espionage system in the mills to counter any further radical influence. A 50 percent speedup of the textile machines after 1912 led to additional unemployment and offset the wage increase gained by the strike settlement.
But the immediate effect of the Lawrence strike was to hearten textile workers in other Eastern areas and to prepare for the next large strike drama in the silk mills of Paterson within the year. The strike also made a profound impression on the public and the rest of the labor movement by dramatizing the living and working conditions of unorganized, foreign-born workers in crowded industrial areas, and communicating the spirit of their rebellion.
Following the Salem trial, literary critic Kenneth McGowan wrote in Forum Magazine:
Whatever its future, the I.W.W. has accomplished one tremendously big thing, a thing that sweeps away all twaddle over red flags and violence and sabotage, and that is the individual awakening of "illiterates" and "scum" to an original, personal conception of society and the realization of the dignity and rights of their part in it. They have learned more than class consciousness; they have learned consciousness of Self . . . .
This was a fitting interpretation of the spirit of the striking mill girls who carried picket signs which read:
WE WANT BEAD AND ROSES TOO.
Kornbluh, Joyce, Rebel Voices: An IWW Anthology, Charles H. Kerr Publishing, Chicago, 1988
1/11/2012 SF 100th Anniversary of Bread Roses Strike
Commemorate The 100th Anniversary of
The Bread And Roses Strike
January 11 (Wednesday) 2012
Potluck 6:30 PM
Presentation 7:15 PM
At: ILWU Local 34
801 2nd St. next to AT&T Stadium
(Free parking in union parking lot)
$10.00 Donation-Bring A Dish And Your
Voice-No One Turned Away Due To Lack of
Donation to go to Occupy San Francisco and
ILWU Local 21
EGT Fighting Fund
617 14th St.
Longview, WA 98632
Artists And Poets:
David Rovics, Renee Gibbons, Alice Rogoff, The Rocking Solidarity Chorus, Hali Hammer, Mary Rudge
January 12, 2012 marks the 100th anniversary of the Bread and Roses
textile mill workers strike in Lawrence, MA. And just as today’s Occupy
Wall Street movement focuses on the 99% and 1%, the truth of 1912 was
that 1% of the richest Americans owned 50% of the country’s wealth.
Conducting a difficult eight-week struggle during the dead of winter
against “Textile Trust” mill owners, banks, state militia, police, clergy
and local government, this strike involved thousands of immigrants,
nearly half women, fighting for justice and human rights, a watershed
moment in the history of American labor struggles.
LaborFest will be commemorating this event with a cultural and arts
event at ILWU Local 34 at 801 2nd Street, San Francisco, next to AT&T
stadium. We will be contributing to Occupy SF and the ILWU Local 21
Sponsored by LaborFest
P.O. Box 40983 San Francisco, CA 94140
(415) 642-8066, laborfest [at] laborfest.net, http://www.laborfest.net
There will also be a curated art show at ILWU Local 34, and a reception with refreshments will be held
on Sunday, January 8th, from 12:00 noon to 2:00 PM at ILWU Local 34. (Show: 1/8/12 - 1/11/12)
Artists: Jesus Barraza, Melanie Cervantes, Jan Cook, David Duckworth, Gloria Frym, Amelia Lewis,
Doug Minkler, Rachel Schreiber, Mike Conner
Lasting legacy: City to celebrate centennial of Bread and Roses strike of 1912 & James Oppenheim Song
January 16, 2011
Lasting legacy: City to celebrate centennial of Bread and Roses strike of 1912
By Yadira Betances
ybetances [at] eagletribune.com
LAWRENCE — Ninety-nine years ago, the city gained international attention when 30,000 mill workers took to the streets after their wages were cut.
The strike began on Jan. 12, 1912, and lasted more than two months. Over the years, it became known as the "Bread and Roses" strike after the songs that contained the words "We want bread and roses, too!"
To commemorate the historic event, members from several city organizations formed the Bread and Roses Centennial Committee, which has worked for the past two years to plan next year's big anniversary.
"For the time in 1912, it was the largest labor strike that the United States had ever seen," said committee Chairman Robert Forrant, who teaches labor history at the University of Massachusetts Lowell. "It was also significant because so many of the strikers were women and immigrants. It was something unique because of that."
Yesterday, the centennial committee held a kickoff event at Lawrence Heritage State Park where it announced its plans for 2012 and invited the community to participate.
During the program, attendants heard an overview of the history of the strike and saw presentations on some of the events planned, as well as slide shows of rare photographs of the strike and Lawrence workers.
Mary Kate Small, a member of the People's Music Network for Freedom and Struggle, sang, "We Were There," a song written by Bev Grant about women through history and the labor movement. The song mentions Lawrence's Bread and Roses strike.
"She really captured in that verse what happed at the time of the strike," Small said. "It was considered a singing strike, and music was used to lift their spirits and brought them along."
Forrant grew up in Beverly and said he first learned of the Strike of 1912 while an undergraduate student at Northeastern University. He identifies with the story, having worked as a machinist for 20 years in Western Massachusetts. After losing his job, he went on to study for his doctorate degree in history at University of Massachusetts Amherst.
He said the Lawrence strike became an international story because it affected people from around the globe. Reporters from Germany, France, Italy and Britain came to Lawrence to write about how the strike affected people from those countries.
"It created an awareness of class conflict," Forrant said. "Here you had working class families who could barely feed their kids and industrial giants. It was a David and Goliath story."
He said it is important to commemorate the historical event.
"Most people take for granted programs we have today, like social security, unemployment benefits," Forrant said. "Looking back in history and the social progress we've made, it shows what can be done when workers and communities organize."
Louise Sandberg, archivist at Lawrence Public Library, agrees.
"It's always important to remember where you come from and what people had to deal with, both good and bad," she said.
The library has a collection of newspapers from 1912, as well as newspaper and magazine articles about the strike, from 1912 to present. The library also owns several books written about the historical event, both fiction and nonfiction.
One unique item is a newsletter printed by the militia sent to Lawrence to quell the strikers.
"It's very tongue-in-cheek, but it's quite unique because I've not seen it before," Sandberg said.
Small hopes to have a musical program monthly involving students from the city's schools. Other events planned for 2012 include a citywide reading of "Bread and Roses, Too," written by Katherine Paterson in 2005. The book tells the story of two Italian girls who are sent to Barre, Vt., during the mill strike.
The celebration begins next January with an exhibit of items from the strike hosted by the Lawrence History Center. Other events include a public art show related to strike themes sponsored by the Essex Art Center, and an exhibit of paintings by Ralph Fasanella at Lawrence Heritage State Park.
The Lawrence History Center is also looking for residents to write essays and create artwork and video presentations on the strike for a symposium to be held next April. Selected works will be published in the Baywood Publishing Series, "Work, Health and Environment."
The highlight of the centennial celebration will be the 27th annual Bread and Roses Festival at Campagnone Common, appropriately held on Labor Day weekend.
"We're trying to educate Lawrencians today, giving them something to take pride in their history and accomplishments of the past," said Jim Beauchesne, visitor services supervisor at Lawrence Heritage State Park.
Small said she still recalls when the People's Music Network for Freedom and Struggle sponsored folk singer Pete Seeger at the Bread and Roses Festival several years ago.
"He said that by 2012, everyone in this country should know the name of Lawrence, Massachusetts, because he knew how important the Bread and Roses Strike was," Small said. "We're going to do our best to make this year's festival the biggest and best ever."
For information on the Bread and Roses Centennial Committee, contact chairman Robert Forrant at 978-934-2904 or e-mail him at rforrant [at] external.umass.edu
The Bread and Roses strike
On Jan. 12, 1912, workers at Lawrence mills walked out of their jobs after a federal law cut their weekly hours from 56 to 54, yet mill owners sped production and cut workers' pay. Polish women were said to be the first ones to shut down their looms and leave the factories. They were joined by other women, men and children from other mills who had immigrated to the city from various countries in Eastern Europe.
Workers clashed with local police, and federal militia were sent to the city to quell the protestors. Among the victims of the strike was Anna LoPizzo, who was shot and killed at Union and Garden streets on Jan. 29, 1912.
The strike ended March 14, 1912, with workers receiving wage increases as well as pay for working overtime.
Following the strike, workers and mill owners testified at U.S. Congressional hearings in Washington, D.C. One of them was Camella Teoli, 14, who talked about losing her hair after it was caught in one of the machines she was working on. The testimony led to changes in child labor laws in the United States.
Bread and Roses, by James Oppenheim
the chawed rosin
Bread and Roses, by James Oppenheim
Bread and Roses
by James Oppenheim
As we come marching, marching in the beauty of the day,
A million darkened kitchens, a thousand mill lofts gray,
Are touched with all the radiance that a sudden sun discloses,
For the people hear us singing: “Bread and roses! Bread and roses!”
As we come marching, marching, we battle too for men,
For they are women’s children, and we mother them again.
Our lives shall not be sweated from birth until life closes;
Hearts starve as well as bodies; give us bread, but give us roses!
As we come marching, marching, unnumbered women dead
Go crying through our singing their ancient cry for bread.
Small art and love and beauty their drudging spirits knew.
Yes, it is bread we fight for — but we fight for roses, too!
As we come marching, marching, we bring the greater days.
The rising of the women means the rising of the race.
No more the drudge and idler — ten that toil where one reposes,
But a sharing of life’s glories: Bread and roses! Bread and roses!
This poem, written by James Oppenheim to celebrate the movement for women’s rights and published in American Magazine in 1911, is closely associated with the Lawrence textile mill strike of 1912. During the strike, which was in protest of a reduction in pay, the women mill workers carried signs that quoted the poem, reading “We want bread, and roses, too”. The photo above was taken during the strike.
Bread and Roses was set to music by Mimi Fariña in the 1970s, and has become an anthem for labor rights, and especially the rights of working women, in the United States and elsewhere.
Here is a recording of the song by Judy Collins.
This victorious strike of 25,000 immigrant unskilled mostly women garment workers lasted ten weeks in 2012. It has lessons for today.