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|Panel of Critics, Artists, and Curators Discuss “Bias in Art Criticism”|
|Date||Thursday November 30|
|Time||7:30 PM - 9:30 PM|
|Import this event into your personal calendar.|
San Francisco Art Institute
800 Chestnut Street
|Event Type||Panel Discussion|
Panel of Critics, Artists, and Curators Discuss “Bias in Art Criticism” Nov 30
November 30, 7:30pm
San Francisco Art Institute, Lecture Hall
800 Chestnut Street
Free to SFAI Students
$3 suggested donation for general public
Epicenter: Arts and San Francisco Art Institute present a panel that confronts the conflicts of interest of the art writer.
Panelists include Kenneth Baker, art critic for The San Francisco Chronicle; Jeff Kelley, Curator of Contemporary Art at the Asian Art Museum of San Francisco; Alla Efimova, Chief Curator at the Judah L. Magnes Museum; Jonathon Keats, artist and writer; Jordan Essoe, artist and writer; and moderator Scott Shafer of KQED radio's The California Report. They will discuss the role of art criticism in the creation of cultural taste, and how the perspective of the critic is shaped and influenced.
In most cases, the very credentials that qualify an art critic’s authority can appear to carry with them specific conflicts of interest. There is no traditional path or formal education that leads to high arts journalism, and it is almost always a craft practiced in tandem with another occupation. More and more, working contemporary artists are the voices behind reviews and essays, and while this is a long running historical tradition, it continues to spark a certain amount of controversy. Jonathon Keats and Jordan Essoe will share their unique perspectives on the process of critiquing an art world within which they are also practitioners.
Arts curators often write copiously in support of their own programs and exhibitions. Is the horse’s mouth the most trustworthy source for complete information? Jeff Kelley, who was professor of art theory and criticism at UC Berkeley for over a decade, and Alla Efimova, Liberal Arts Graduate Faculty at San Francisco Art Institute, will explore the role of education in exhibition catalogues and address the differences and similarities between bias and expertise.
The rare writer who can claim arts writing as their full time passion is usually a high profile critic dominating the arts newshole for a national magazine or large urban newspaper. This position also presents a critic with a following, and therefore a certain amount of acknowledged power. After 20 years of service to the paper, Kenneth Baker will describe his political location as the sole art critic for The San Francisco Chronicle.
A 20-minute Q & A will immediately follow the panel discussion. A reception in Pete's Cafe with drinks and refreshments will follow, wherein press is cordially invited to continue the conversation informally with the panelists.
Photographs available upon request.