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DESCRIPTION:The Santa Cruz Baroque Festival presents:\nPRIMAL WINDS: The Whole Noyse 
 (Concert V)\nFeaturing The Whole Noyse (16th & 17th century cornets, 
 sackbuts, and curtal)\n\nThe Whole Noyse derives its name from medieval 
 England, when a group of loud wind instruments was called a ‘noise’. 
 One of the finest early music bands in the world, the group was founded in 
 1986 and plays the instruments and music of professional wind bands in the 
 16th and 17th centuries. The members of Whole Noyse are Stephen Escher 
 (curved cornetts), Richard Van Hessel & Sandy Stadtfeld (sackbuts, an 
 ancestor of the trombone), and Herbert Myers (curtal, an ancestor of the 
 bassoon). At the cusp of Renaissance and Baroque, their repertoire includes 
 rousing dances and canzonas by Josquin Desprez, Giovanni Gabrieli, Girolamo 
 Frescobaldi and others.\n\nConcert V takes place on Saturday, May 14, at 
 First Congregational Church (900 High Street, Santa Cruz) beginning at 7:30 
 pm. Tickets can be purchased through the UCSC Ticket Office 
 (www.santacruztickets.com, 831-459-2159), the Civic Center Box Office, and 
 the SC Baroque Festival (www.scbaroque.org, 831-457-9693). Ticket price 
 range: $3-23 ($23 general, $17 senior, $6 college student, $3 
 K-12).\n\nPHOTO: The Whole Noyse (contributed by the ensemble, taken June 
 29, 1999 in Gorizia, Italy)\n\nBIOGRAPHY:\n\nThe Whole Noyse performs on 
 modern reproductions of 16th century instruments. Stephen Escher plays 
 curved cornetts; Richard Van Hessel and Sandy Stadtfeld play sackbuts; and 
 Herbert Myers plays the curtal, ancestor of the bassoon. The Whole Noyse 
 derives its name from a musical term dating from medieval England, when a 
 group of loud wind instruments was called a "noise." Later, the word came 
 to refer to sets of wind instruments in general: in 1584, an English town 
 band called the Norwich Waits considered a set of five instruments as 
 "beeying a Whoall noyse."\n\nHerb Myers -- Richard Van Hessel -- Stephen 
 Escher -- Sandy Stadtfeld\n\nThe Whole Noyse had its first concert together 
 in 1986. The group, based in the San Francisco area, plays brass and wind 
 music from 16th and 17th century Europe. Performances by The Whole Noyse 
 both in Europe and North America have been enthusiastically received. Their 
 recordings include "Lo Splendore d'Italia" and collaborations with various 
 ensembles of music by Bach and Praetorius, as well as early Italian opera 
 and 17th century Italian sacred music. The Whole Noyse performs on modern 
 reproductions of cornetts, sackbuts and curtal; instruments that made up 
 the primary professional wind group of the 16th and 17th centuries.\n\nThe 
 Whole Noyse is celebrating its 25th year as one of the country's leading 
 early brass ensembles. The group, based in the San Francisco Bay area, 
 plays European instrumental music from the 15th through 17th centuries, and 
 in their concerts can be heard performing on cornetts, sackbuts, curtal, 
 recorders, flutes, crumhorns, shawms, slide trumpet, gittern, violin, and 
 viola.\n\nPerformances by The Whole Noyse throughout Europe and North 
 America have been enthusiastically received. The group has collaborated 
 with some of North America's most respected early music ensembles, 
 including Magnificat, The King's Noyse, The Newberry Consort, and Sex 
 Chordae Consort of Viols, as well as a number of choirs, including the 
 Vancouver Cantata Singers, Pro Coro Canada, San Francisco Choral Artists, 
 and AVE.\n\nThis year, the 400th anniversary of Monteverdi's Vespers of 
 1610, The Whole Noyse is scheduled to participate in more than a dozen 
 performances of the work in cities all over the US and Canada, including 
 San Francisco, Los Angeles, San Diego, Austin, Dallas, Houston, San 
 Antonio, Vancouver, Calgary, and Honolulu. They participated in a staged 
 performance of Monteverdi's Orfeo in Edmonton and premiered a composition, 
 "Marina," written exclusively for them with the San Franciso Choral Artists 
 by local composer Ted Allen.\n\nThe Whole Noyse has a solo recording, Lo 
 Splendore d'Italia, and can be heard on recordings by Magnificat, the San 
 Francisco Bach Choir, and the Vancouver Cantata Singers. The Vancouver 
 Cantata Singers' CD Venetian Vespers of 1640 was nominated for a Juno award 
 and won the "Outstanding Choral Award" from the Association of Canadian 
 Choral Conductors.\n\nWebsite (Whole Noyse): 
 http://homepage.mac.com/rvh13/index.html\nWebsite (SC Baroque Festival): 
 http://www.scbaroque.org\n 
 https://www.indybay.org/newsitems/2011/05/05/18678969.php
SUMMARY:Primal Winds: The Whole Noyse
LOCATION:First Congregational Church (900 High Street, Santa Cruz)
URL:https://www.indybay.org/newsitems/2011/05/05/18678969.php
DTSTART:20110515T023000Z
DTEND:20110515T043000Z
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