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DESCRIPTION:The Santa Cruz Baroque Festival presents:\n\nFOREST SONG: The Classical 
 Clarinet (Concert IV)\n\nFeaturing Eric Hoeprich (classical clarinet) with 
 Linda Burman-Hall (fortepiano)\n\nIn the baroque period the clarinet was 
 indeed a 'rare bird' just hatched around 1700. The classical clarinet of 
 Mozart's time had only 5 keys but yielded great timbral variety. Enjoy the 
 silken voice of this endangered instrument in works by Lefèvre, Stadler, 
 Hoffmeister, Weber and Beethoven, brought to you by one of the world's 
 leading historical clarinetists.\n\nEric Hoeprich has performed and 
 recorded with renowned artists Frans Brüggen, Philippe Herreweghe, Sir 
 Roger Norrington, and Christopher Hogwood, and Musica Antiqua Köln, just 
 to name a few. He has also authored a book on the history of the clarinet 
 through the musical instrument series of Yale University Press.\n\nIn 
 addition to music, we explore parallels in the conservation of species and 
 instruments with images of endangered wildlands, including rare birds and 
 animals selected by biologist Richard Tenaza. This visual presentation is 
 accompanied by a sound collage by Linda Burman-Hall. “Bilou Sapiens” 
 (Wise Bilou) layers the voices of live wooden flutes over Tenaza's 
 fieldwork recordings of animal sounds from the Mentawai Rainforest  
 (electro-acoustic composition with Lars Johannesson & Alissa Roedig, 
 baroque flutes).\n\nMore information about Hoeprich, the classical 
 clarinet, Richard Tenaza, and “Bilou Sapiens” follows below.\n\nConcert 
 IV takes place on Saturday, April 16, at the UCSC Music Center Recital Hall 
 beginning at 7:30 pm. Tickets can be purchased through the UCSC Ticket 
 Office (www.santacruztickets.com, 831-459-2159), the Civic Center Box 
 Office, and the SC Baroque Festival (www.scbaroque.org, 831-457-9693). 
 Admission: $23 general, $17 senior, $6 college student, $3 K-12.\n\nEric 
 Hoeprich & the Classical Clarinet\n\nFor the past twenty-five years Eric 
 Hoeprich has specialized in performing on the historical clarinet. His 
 expertise as a musician, scholar and instrument maker allows for a unique 
 approach to the solo clarinet repertoire of the 18th and 19th 
 centuries.\n\nHoeprich is founding member and principal clarinet of Frans 
 Brüggen's Orchestra of the Eighteenth Century, and in addition to 
 performing with his own ensembles world-wide, he has played and recorded 
 with many luminaries of early music, including the Academy of Ancient Music 
 (Hogwood), Orchestre des Champs-Elysées (Herreweghe), London Classical 
 Players (Norrington), Musica Antiqua Köln (Goebel), Philharmonia 
 (McGegan), Canada's Tafelmusik, Anima Eterna (van Immerseel) and the 
 Australian Brandenburg Orchestra.\n\nHis interest in playing and making 
 early clarinets has led Hoeprich to amass a large collection of 18th and 
 19th century clarinets, including original instruments played by 
 clarinetists that Weber and Brahms composed for, as well as possibly the 
 oldest surviving French clarinet, made in the 1770s by Prudent in 
 Paris.\n\nHoeprich and historical clarinets: “Eventually I became quite 
 serious about the recorder and went to The Netherlands to study with Frans 
 Brüggen, with whom I'd already had lessons at Harvard College when I was 
 in my first year there. While I was in The Hague I started to make 
 instruments, and also saw that there was an 18th-century version of the 
 clarinet made of boxwood and started to play and make these as 
 well.”\n\nHistorical versus modern clarinets: “The most important 
 differences lie in the number of keys and the wood that was used to make 
 clarinets in the 18th century. A typical Viennese School clarinet had 5 
 keys, which is sufficient for playing this music. There is a certain skill 
 required to execute the cross-fingerings in order to produce all the notes 
 in the music, but this has the added advantage of giving the instrument 
 great variation in timbre throughout its scale.”\n\n(Both interview 
 excerpts are quoted from Gordillo, Bernard: “Questions for Early 
 Clarinetist Eric Hoeprich” (posted April 7, 2010 at 
 http://indianapublicmedia.org/harmonia/questions-for-eric-hoeprich-early-clarinettist/ 
 )\n\nRichard Tenaza & Bilou Sapiens\n\nOne could write a book on the 
 numerous travels, adventures and accomplishments of Dr. Tenaza.\n\n"When I 
 was a child I didn't fantasize about being a fireman or policeman or 
 president or movie actor. I didn't fantasize about material possession or 
 wealth either. What I fantasized about were wild animals and wild people in 
 wild places. . . . I've been very, very fortunate in having been able to 
 live out many of those childhood fantasies."\n\nAmong his many endeavors, 
 mostly related to his pursuit of the understanding and conservation of 
 animals in their native habitats, Tenaza has recorded the fascinating 
 vocalizations of endangered female Kloss gibbons, which musicologist Linda 
 Burman-Hall (who happens to specialize in the music of Indonesia as well as 
 early music) has worked into a sound collage together with a pair of live 
 wooden flutes.\n\nSays Dr. Tenaza: “Linda and I both think that the 
 single most fascinating aspect of the Kloss's gibbon singing is the duets 
 produced by neighboring females. The ladies meet at their territorial 
 boundaries and sing in synchrony,         performing aerial 'dances' 
 together at the height of each song.”\n\nThe world premiere of this 
 unique sound collage will be presented in accompaniment to Tenaza's 
 rainforest images.\n\nIn addition to curating this special presentation, 
 Burman-Hall will also be performing on fortepiano with Eric 
 Hoeprich.\n\nNEW in 2011 ~ Pre-Concert Presentations: Members of the Osher 
 Lifelong Learning Institute at UCSC meet one hour before each SCBF concert 
 (6:30 p.m.) for a talk and discussion of the evening's program. The 
 location is at or near the concert venue -- ask at the ticket desk. All 
 concert-goers are welcome to attend.\n\nMore information on all events at 
 our website: www.scbaroque.org\n####\n 
 https://www.indybay.org/newsitems/2011/04/14/18677179.php
SUMMARY:Forest Song: The Classical Clarinet
LOCATION:Music Center Recital Hall, UC Santa Cruz Campus
URL:https://www.indybay.org/newsitems/2011/04/14/18677179.php
DTSTART:20110417T023000Z
DTEND:20110417T043000Z
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