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UID:Indybay-18624838
SEQUENCE:18682170
CREATED:20091008T182800Z
DESCRIPTION:Wednesday, October 14, 2009, 10 am–12 pm\n\nFlorence and Leo B. Helzel 
 Boardroom, San Francisco campus\nSan Francisco campus map (PDF)\nDirections 
 »\n\nPerformance is one of the most dynamic sites of contemporary cultural 
 production, yet it receives surprisingly little attention in art school 
 curricula. What is the status of performance art in art schools and 
 colleges today? How is it taught and studied? What are the forms of 
 scholarship and practice evolving in this area? How and where do the two 
 intertwine?\n\nParticipants include:\n\nGigi Otálvaro-Hormillosa, also 
 known as the Devil Bunny in Bondage, a San Francisco-based 
 interdisciplinary performance artist, video artist, cultural activist, 
 curator, and percussionist of Filipino and Colombian descent.\n\nGuillermo 
 Galindo, whose work spans a wide spectrum of artistic expression, from 
 symphonic composition to musical computer interaction, electro-acoustic 
 music, opera, film music, instrument building, multimedia installation, and 
 sound design. His music has been performed and shown at major festivals and 
 art exhibits throughout the United States, Latin America, Europe, and 
 Asia.\n\nShannon Jackson, chair and professor of dramatic arts and rhetoric 
 at UC Berkeley. She serves on the editorial boards of several journals and 
 has coorganized conferences and residencies.\n\nTina Takemoto, a writer and 
 performance artist. Under the name Her/She Senses and in collaboration with 
 Angela Ellsworth, she has presented installation-based performances 
 internationally, has received numerous grants, and has published widely.\n 
 https://www.indybay.org/newsitems/2009/10/08/18624838.php
SUMMARY:Visual and Critical Studies Performance Art Round Table
LOCATION:California College of the Arts\n1111 Eight st\nSan Francisco, Ca 94107
URL:https://www.indybay.org/newsitems/2009/10/08/18624838.php
DTSTART:20091014T170000Z
DTEND:20091014T190000Z
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