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UID:Indybay-18370125
SEQUENCE:18380764
CREATED:20070228T213900Z
DESCRIPTION:A Conversation with Trinh T. Minh-Ha, Elvan Zabunyan, and Renée 
 Green\n\nFriday March 23, 2007\nLecture Hall, 5:00pm\n\nElvan Zabunyan is a 
 contemporary art historian and art critic based in Paris. She is Associate 
 Professor at the Rennes University, France; and Associate Researcher at the 
 Center for North American Studies, EHESS, Paris and at the Centre National 
 de la Recherche Scientifique. Her publications include Black is a Color: A 
 History of African American Art (Dis Voir, 2005), which received the first 
 prize for research from SAES/AFEA (Société des Anglicistes de 
 l’Ensegnement Supérieur, Association Française d’Études 
 Américaines) in 2005. She writes on contemporary theories concerning 
 feminism and postcolonialism.\n\nBorn in Vietnam, Trinh T. Minh-ha is a 
 filmmaker, writer, and music composer. Her films include Night Passage 
 (2004), The Fourth Dimension (2001), A Tale of Love (1995), Shoot for the 
 Contents (1991), Surname Viet Given Name Nam (1989), Naked Spaces—Living 
 is Round (1985), and Reassemblage (1982). Her recent books include The 
 Digital Film Event (2005), Cinema Interval (1999), Drawn from African 
 Dwellings (in collaboration with Jean-Paul Bourdier, 1996), Framer Framed 
 (1992), When the Moon Waxes Red (1991), Woman, Native, Other (1989), En 
 minuscules (1987), and African Spaces: Designs for Living in Upper Volta 
 (in collaboration with Bourdier, 1985). She has presented three large-scale 
 multi-media installations, Nothing But Ways (in collaboration with Lynne 
 Kirby, 1999, Yerba Buena Center for the Arts, San Francisco), The Desert is 
 Watching (in collaboration with Bourdier, 2003, Kyoto Art Biennial), and 
 recently completed, with Bourdier, a large audio-visual installation, 
 L’Autre Marche, for the Musée du Quai Branly in Paris. Trinh T. Minh-ha 
 is Professor of Women’s Studies and Rhetoric (Film) at the University of 
 California, Berkeley.\n\nRenée Green is an artist, filmmaker, and writer. 
 Via films, essays and writings, installations, digital media, architecture, 
 sound-related works, film series, and events her work engages with 
 investigations into circuits of relation and exchange over time, the gaps 
 and shifts in what survives in public and private memories, as well as what 
 has been imagined and invented. She also focuses on the effects of a 
 changing transcultural sphere on what can now be made and thought. Recent 
 one-person exhibitions include Wavelinks, Neuberger Museum of Art (2006) 
 and Contemporary Arts Center, Cincinnati (2004); Unité 
 d’habitation,Galerie Martine Aboucaya, Paris (2006); Index (From 
 Oblivion): Paradoxes and Climates, Einstein Spaces, Berlin (2005); Relay, 
 Kunstraum Innsbruck (2005); Galleria Emi Fontana, Milan (2005); and 
 Elsewhere? Here, Galeria Filomena Soares, Lisbon (2004). Other venues 
 include Documenta XI, Kwangju Biennial, Whitney Biennial, Aperto, Centre 
 Georges Pompidou, MACBA (Barcelona), Museum Ludwig (Cologne), UCLA Hammer 
 Museum (Los Angeles), and recently a project for Caltrans/Morphosis (Los 
 Angeles), Code: Survey (2006), www.dot.ca.gov/dist07/index.php. Her recent 
 books include Negotiations in the Contact Zone (editor, Assirio & Alvim, 
 Lisbon, 2003), Between and Including (Secession/Dumont, Vienna, Germany, 
 2001), and Shadows and Signals (Fundació Antoni Tàpies, Barcelona 2000). 
 Green is Dean of Graduate Studies and Professor\nat SFAI.\n\n 
 https://www.indybay.org/newsitems/2007/02/28/18370125.php
SUMMARY:A Conversation with Trinh T. Minh-Ha, Elvan Zabunyan & Renée Green
LOCATION:San Francisco Art Institute\n800 Chestnut 
 Street\n415-771-7020\nwww.sfai.edu
URL:https://www.indybay.org/newsitems/2007/02/28/18370125.php
DTSTART:20070324T000000Z
DTEND:20070324T020000Z
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